|
DRUM MICROPHONE 7 SET SUPERLUX
Overall, these mics turn in a pretty good performance when used with drums or percussion. Although there are better mics out there, you'd have to pay quite a lot more to hear any appreciable difference. At the price, they're an obvious contender for the live market, but they also work surprisingly well in a recording context.
The dynamic mics are particularly impressive, and the compactness and swivel adaptors really do make kit miking far less stressful
This set comprises of 3 microphones each having their own charactristic sound for their specific application
PRA-218B bass drum microphone
Dynamic SuperCardioid Microphone
Frequency Response: 20-12500 Hz
Sensitivity: -53 dBV/Pa (2.2mv/Pa)
Impedance: 500 Ohms
Maximum SPL 134dB (THD 1% 1000Hz)
Size: 43x120x80mm
Weight: 210g
PRA-228A Tom microphone
Dynamic SuperCardioid Microphone
Frequency Response: 50-16000 Hz
Sensitivity: -53 dBV/Pa (2.2mv/Pa)
Impedance: 500 Ohms
Maximum SPL 134dB (THD 1% 1000Hz)
Size: 42x110x80mm
Weight: 185g
Durable, Impact-resistant Case
Mic Holder Attached to Mic
Durable, Impact-resistant Case
Mic Holder Attached to Mic
PRA-268AH Overhead microphone
Supercardiod Back Electret Condenser Microphone
Frequency Response: 50-16000 Hz
Sensitivity: -44 dBV/Pa (6.3mv/Pa)
Rated Impedance: 200 Ohms
Minimum Load Impedance: 1000 Ohms
Maximum SPL 134dB (THD 1% 1000Hz) Phantom 48V
Dynamic Range: 110dB
Power Supply: 9-48V Phantom
Current Consumption: 2mA
Size: 29x165mm
Weight: 180g
Durable, Impact-resistant Case
Mic Holder Attched to Mic |