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GIBSON LES PAUL MELODY MAKER ELECTRIC GUITAR
~~$999.00~~
$729.27

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IK MULTIMEDIA T-RACKS

Product Name: IK MULTIMEDIA T-RACKS

Product Model: IKT-RACKS

RRP: $699.00

Sale Price: $622.11

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Description

T-RackS® plug-in

• State-of-the-art 6 band Mastering EQ
• Tube modeled stereo Compressor
• Multi-band Master Limiter
• Soft clipping output stage
• Complete Mastering Suite

$399 / €399 BUY NOW!

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Description

T-RackS® plug-in has everything you need to create superb, tube-toned masters with your sequencer.

Its rich, warm sound starts with algorithms based on true analog circuitry. Its familiar interface makes it easy to control five powerful processors: EQ, compressor, limiter, soft-clipping output stage, and a complete mastering suite. Enhances mix frequencies, stereo images, dynamic range and gives your audio a seamless, top notch sound.

T-RackS® plug-in includes:
- a state-of-the-art EQ
- a classic tube modeled compressor
- a multi band master limiter
- a soft-clipping stage
- a complete mastering suite containing all the plugs in one efficient, "gold sounding" mastering plug-in built with actual physical models of tube circuitry.

With its separate processors, astonishing warmth and ease-of-use, you'll be putting a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task and none sounds like T-RackS®.

•	5 sound processors: with its great sounding, analog-modeled Equalizer, Compressor, Limiter and the Soft-clipping output stage, T-RackS® includes everything you need to create final masters.
•	Specially Developed for Mastering: no other single software processor sounds like T-RackS® and none make mastering so easy. It can vastly enhance mix frequencies, broaden the stereo image as well as boost or precisely level the dynamic range. All this, while adding the beautiful warmth and space of the tube-devices it emulates.
•	Outstanding "Analog-Modeled" Sound: T-RackS®' astonishing sound is created with algorithms based on real analog circuitry. This is what makes T-RackS® sound so similar to real analog audio hardware, and so unique when compared to other software. Click here to see what user say about T-RackS' unique sound.
•	High Order 32 bit Internal Resolution: with 32 Bit floating point resolution, T-RackS® uses the best possible method to physically model analog components, resulting in an amazingly real tube sound. Only without the noise!
•	High Productivity, Ease of Use: not only does it sound analog, it acts analog! T-RackS® is so easy to use because its interface resembles a typical rack of hardware with analog controls.
•	Superior Quality: T-RackS® has the best quality-to-price ratio of any top-selling sound processor, is an incredible value and is an indispensable mastering tool for any studio, be it pro or project.

Apart of the new availability of separate modules, the new T-RackS® Plug In contains other monstrous improvements, compared to the stand-alone version, including:

1) New full band sweepable mid bands on the Equalizer Both the peaking filters can now cover the entire 20 – 20KHz audio spectrum.	2) Refined high-end response Now the T-RackS equalizer is even more musical and transparent at the top end, the T-RackS Eq now has that characteristic smooth high end, typical of those acclaimed analog devices.
3) Sidechain HPF in the compressor signal detecting chain This adds an high pass filter in the detector stage of the compressor. The detector stage is where the compressor analyzes the incoming signal and determines how gain reduction must be applied. This variable high pass filter prevents, when turned up, that "compression pumping", mainly caused by the program low end content. The further this knob is turned the the softer and more innaudible the compression character will be. At the minimum or at very low settings the compression will be much more aggressive and noticeable. Use lower settings when you want to “hear” the compression effect and use higher values for a gentle compression, as you may want in acoustic mixes.	4) Individual limiter bands controls Now all the three limiter bands low, mid, and high are individually adjustable for threshold and level. This allows the user, for example, to limit the program low end without applying unwanted compression to the midrange.
5) Adjustable multiband limiter crossover points Now the user can modify the two split points of the bands.	6) High precision calibration of the limiter and clipper output If the output knob of the limiter is at 0 dB (default) the output of the limiter will never go beyond –0.05 dBfs. You can just squeeze the drive knob until you hear too much distortion or limiting and can be sure that the output is at the industry mastering standard level of –0.05 dBfs, without overs. The same is for the Soft clipper.

Features

Equalizer

• State-of-the-art six band parametric equalizer, modeled on classic top quality analog gear

• 4th order parametric, High and Low pass filters

• Parametric Low-shelving control

• Parametric Lo-mid control with Low or High "Q"

• Parametric Hi-mid control with Low or High "Q"

• Parametric High-shelving control

Compressor

• Classic tube stereo compressor/leveler designed for mastering

• Vintage-style compression unit

• Classic warm "in-your-face" sound of old tube mastering levelers

• Very-soft knee compression with no threshold point

• Stereo-image width control

• Mastering-oriented variable time constants

• Comprehensive and accurate gain-reduction VU

• Ratio control

• Variable Hi-pass filter on keying signal

Limiter

• Multiband master stereo limiter

• High-quality 3-band limiting stage

• Ultra fast peak detection

• Ultra-linear and accurate band mixing for high-end performance

• Overload for accurate control of limiting and saturation

• Soft clipping feature for warm analog emulation

• Comprehensive gain reduction VU

• Very accurate peak LED indicators at the outputs

• Output stage with hard/soft selectable clipping

Soft-clipping stage

• Astoundingly musical and smooth performance

• Variable clipping shape (from hard clip to ultra-soft) for complete control and precision

• Easily increase gain with no compression or limiting artifacts (unless you want them!)

• Create warm, saturated mastering effects

Minimal Requirements

Macintosh®
Power Macintosh® G3, with MacOS8.6 or later, 64MB of RAM, 1024x768 screen thousands of color, 50MB of hard-disk space.

Windows®
Intel Pentium® II with Windows® 98SE/ME/2000 /XP, 64MB of RAM, 1024x768 screen thousands of color, 50MB of hard-disk space.

Macintosh® and Windows® Sequencers and Editors
Sequencers and sound editors compatible with VST® plug-ins or DX plug-ins, such as Cubase VST® PC version 3.7.2 or Mac version 4.1.1, (or later), Logic™ Audio PC and Mac version 4.5 (or later), Digital Performer 4 Audio Units on Mac OSX, Digital Performer 3 MAS (*using VST wrapper on Mac OS 9), Sonar 2.2 (or later), Sound Forge 5 (or later), Cool Edit Pro 2 (or later), Peak 2.0 (or later).

Specifications

Technical Specifications:
Compressor
• Classic tube stereo compressor/leveler designed for mastering
• Vintage-style compression unit
• Classic warm "in-your-face" sound of old tube mastering levelers
• Very-soft knee compression with no threshold point
• Stereo-image width control
• Mastering-oriented variable time constants
• Comprehensive and accurate gain-reduction VU
• Ratio control
• Variable Hi-pass filter on keying signal

Limiter
• Multiband master stereo limiter
• High-quality 3-band limiting stage
• Ultra fast peak detection
• Ultra-linear and accurate band mixing for high-end performance
• Overload for accurate control of limiting and saturation
• Soft clipping feature for warm analog emulation
• Comprehensive gain reduction VU
• Very accurate peak LED indicators at the outputs
• Output stage with hard/soft selectable clipping

Soft-clipping stage
• Astoundingly musical and smooth performance
• Variable clipping shape (from hard clip to ultra-soft) for complete control and precision
• Easily increase gain with no compression or limiting artifacts (unless you want them!)
• Create warm, saturated mastering effects

Requirements:
Macintosh® HTDM, RTAS
A Digidesign® qualified G3 or G4 Power Macintosh® (G4 suggested) running Pro Tools®|24 MIX™, Pro Tools®|24 MIX Plus™, Pro Tools®|24 Mix (with Pro Tools™ software 5.1 or later), Pro Tools |HD (with Pro Tools software 5.3 or later), ProTools® LE with Digi 001™ or AudioMedia™ III (with Pro Tools™ software 5.0 or later), M-Box (with Pro Tools LE software 5.2 or later). Qualified ATA/IDE or SCSI drive, 128 MB RAM (256 MB suggested), Apple® System software version 9.0 or later, Apple® Mac OS X 10.2.4 or later.

Macintosh® VST
Power Macintosh® G3 or G4 with MacOS 8.6 or later system software (the VST version is not Mac OS X compatible), 64 MB RAM. Screen settings: 800x600, thousands of colors, 20 MB of free hard disk space. Suggested: Power Macintosh® G4 with 256 MB RAM and 1024x768 screen. An ASIO card is recommended for low latency real time play. Optimized for G4.

Windows® DX, VST
Intel® Pentium® III or IV with Windows® 95, 98, ME, NT™ 4.0, 2000, XP, 64 MB RAM. Screen settings: 800x600, high colors (16 bit), 20 MB of free hard disk space. Suggested: Intel® Pentium® IV with 256MB RAM and 1024x768 screen. An ASIO card is recommended for low latency real time play. Optimized for Pentium® III and IV.

Macintosh® and Windows® Sequencers and Editors
Sequencers and sound editors compatible with VST® plug-ins or DX plug-ins, such as Cubase VST® PC version 3.7.2 or Mac version 4.1.1, (or later), Logic™ Audio PC and Mac version 4.5 (or later), Digital Performer (*using VST wrapper), Sonar 2.2 (or later), Sound Forge 5 (or later), Cool Edit Pro 2 (or later), Peak 2.0 (or later).

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I have bought from Bavas twice now for EV speakers (foldback, FOH and subs) and microphones. I have found their service to be excellent and their prices are great. We had problems with one of our FOH speakers and Nick had a replacement to our church in record time - it was no hassle at all. I would recommend these guys and I do not even bother to shop around anymore because you wont get a better deal. I would add that Nick is a great salesman in the sense that he knows his products, gets a good feel for what you are after, puts together a good package (without over selling), has it delivered promptly and provides good support. He will also work hard with suppliers to get you the best price he can offer. Keep up the good work guys it's a pleasure doing business with you.
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