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SOUNDCRAFT LX7II 32 CHANNEL

    
SOUNDCRAFT LX7ii 32 channel
REAR VIEW 24 channel Version
Product Name: SOUNDCRAFT LX7ii 32 channel
Product Model: lx7_32
RRP: $3,799.00

Sale Price: $2,659.30
 30% OFF! 


Finance fr - $36.53 p/wk

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Description

SOUNDCRAFT LX7ii 32 channel

 

LX7ii
 
Pictured band - Beech, at the Bedford, Balham, South London

The hugely successful and popular Soundcraft LX7 console has received an upgrade to the LX7ii — both in terms of audio specification and cosmetics.

The stylish new desk gets its looks from the highly successful and popular MH3 and MH4 touring sound consoles, and includes a new frame, module ID graphics and end-cheeks, making the LX7ii not only easy to use but creating a system that will be the envy of professionals everywhere.

Electronically, the LX7ii gains a new Soundcraft mic-preamp and EQ section, both designed by Soundcraft founder and electronics wizard Graham Blyth. Designated the GB30 Series, the new designs coincide with Soundcraft’s 30 year anniversary and the new 4-band EQ with swept mid sections is based on the highly-acclaimed EQ in the new MH3 and MH4 touring consoles.

“The new GB30 mic pre on the LX7ii brings together some of the quality and precision of the mic pre’s we use on our biggest touring desk, whilst retaining the cost-sensitivity demanded at this point in the market,” reports Blyth in a rare interview. “We’re conscious that we must provide the best possible audio quality at the best price for the customer — we do not allow compromise — and it starts at the mic preamp.

“The GB30 EQ, owing its heritage to the work we did on the new MH range, gives a steeper than usual slope on the fixed LF and HF sections, removing unwanted mid-frequency ‘mush’ and delivering a clearer sound. We’ve a unique, cost-effective design that brings high-end EQ into an affordable mixing console for the first time.”

Other standard features of the LX7ii include frame sizes up to 32 mono inputs and four stereo inputs/returns with four groups, main stereo output and a dedicated mono output for centre clusters. There are direct outputs on the first 16 inputs suitable for multitrack recording, and six auxes for flexibility for effects and foldback. The LX7ii mixes to seven outputs – four subgroups, plus the main Left, Right and Centre (Mono) mix outputs.

The LX7ii continues in the tradition of the highly successful original LX7 in its applications in live performance PA, installed systems in churches, theatres and any similar application where a compact sized console needs to provide a large number of inputs and maximum output capability. Both recording and live applications are easily satisfied by the LX7ii.

The LX7II 32 Channel Mixer combines the essential Soundcraft live mixer qualities with basic recording-oriented features, in a compact frame that's light enough for one person to carry yet easy to configure and use. This makes it especially suitable for multi-purpose use in venues such as small halls and community centers, while its direct channel outputs make the LX7II 32 an ideal choice for bands that need a live desk that can double up in the studio. Housed in a 32 channel frame, the LX7II 32 provides 40 inputs - with no less than 13 separate bus outputs.

  • 32 channel frame size
  • GB30 mic preamps
  • Precision equalization circuitry
  • True 7-bus architecture
  • 2 stereo inputs
  • 2 stereo returns
  • Channel direct outputs
  • 6 aux sends, 4 of which are pre/post switchable
  • Integral universal voltage, switched-mode PSU for light weight
  • Talkback facility
  • 100mm faders
  • +48 phantom power
  • 18dB/octave high pass filter
  • Group and mix inserts
  • 12-segment LED metering
  • 41-2/5"W x 6-1/2"H x 19-4/5"D
Specifications

 

Typical Specifications

Frequency Response XLR input to any output ................................................................................................................... 1dB, 20Hz-20kHz

T.H.D. & Noise

All measurements at 흇 output XLR input to Direct output ....................................................................................................................... <0.007% @ 1kHz

30dB gain XLR input to Mix output ............................................................................................................................ <0.008% @1kHz

Mic Input E.I.N. 22Hz-22kHz bandwidth, unweighted .................................................................................................................. <-128dBu

(150 Ohm source)

Mic Gain Min ............................................................................................................................................................................. 5dB

Max ........................................................................................................................................................................... 60dB

Bus Noise Mix output, input faders @ -µ, Mix fader 0dB

32 channels routed .............................................................................................................................................. <-85dBu

16 channels routed ............................................................................................................................................ <-88dBu

Grp output, input faders @ -µ, Grp fader 0dB

32 channels routed .............................................................................................................................................. <-85dBu

16 channels routed .............................................................................................................................................. <-88dBu

Aux output, input sends @ -µ, Aux master 0dB

32 channels routed .............................................................................................................................................. <-88dBu

16 channels routed .............................................................................................................................................. <-91dBu

..........................................................................................................................................................................................

Crosstalk @ 1kHz Input channel Muting .............................................................................................................................................. >98dB

Input fader cutoff .................................................................................................................................................... >98dB

Input pan pot isolation ............................................................................................................................................ >82dB

Mix routing isolation ................................................................................................................................................ >98dB

Group routing isolation ............................................................................................................................................ >98dB

Adjacent channel isolation .................................................................................................................................... >100dB

Group-Mix crosstalk .............................................................................................................................................. <-84dB

Aux send off .......................................................................................................................................................... <-94dB

..........................................................................................................................................................................................

CMRR Mono input ..................................................................................................................................... typically 80dB @ 1kHz

measured at max gain

Input & Output Input Channel Mic Input ............................................................................................. ............힗 max

Levels Input Channel Line Input ............................................................................................................................... � max

Stereo Inputs & Insert Returns ....................................................................................................................... � max

All Outputs .................................................................................................................................................... � max

..........................................................................................................................................................................................

............................................................................................. Nominal Operating Level................0dBu

Headphone Power .............................................................................................................. 2 x 250mW into 200W phones

Input & Output Mic Input ..................................................................................................................................................................... 2kW

Impedances Line inputs ............................................................................................................................................................. >10kW

Input Channel Insert Return ....................................................................................................................................... 5 kW

......................................................................................................................... (with EQ in, otherwise worst case 1.8 kW)

Mix, Group, Aux Outputs .......................................................................................................................................... 150W

Insert Sends ............................................................................................................................................................... 75W

Recommended headphone impedance .............................................................................................................. 50-600W

Headphone Power .............................................................................................................. 2 x 250mW into 200W phones

HP Filter (Mono Input) 100Hz, 18dB per octave

EQ (Mono Input) HF ............................................................................................................................... 12kHz, 15dB, 2nd order shelving

Hi-Mid ................................................................................................................................. 550Hz-13kHz, 15dB, Q=1

Lo-Mid .................................................................................................................................. 80Hz-1.9kHz, 15dB, Q=1

LF ................................................................................................................................ 80Hz, 15dB, 2nd order shelving

Metering 6 tri-colour 12-segment LED bargraphs.

Power Consumption Universal Mains Input 85V.270v AC, 50/60Hz.

Power Consumption ................................................................................................................................................... 60W

Weight 16 Channel ................................................................................................................................................ 18.2kg (40lbs)

24 Channel ................................................................................................................................................ 21.8kg (48lbs)

32 Channel ................................................................................................................................................ 25.4kg (56lbs)

Operating Conditions Temperature Range ...................................................................................................................................... -10° to °

Relative Humidity ............................................................................................................................................. 0% to 80%

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Over the past 30 years, I have always found the staff at Bava's Music to be Professional, Competitive & Knowledgeable. On a personal level, as a performer, and a professional level, as an educator, I have always experienced honest advice, quality products and a valued friendship. I can honestly recommend Bava's Music as a leader in the Music Retail Industry. Try them, you won't be disappointed ... I'm still shopping there!
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I have bought from Bavas twice now for EV speakers (foldback, FOH and subs) and microphones. I have found their service to be excellent and their prices are great. We had problems with one of our FOH speakers and Nick had a replacement to our church in record time - it was no hassle at all. I would recommend these guys and I do not even bother to shop around anymore because you wont get a better deal. I would add that Nick is a great salesman in the sense that he knows his products, gets a good feel for what you are after, puts together a good package (without over selling), has it delivered promptly and provides good support. He will also work hard with suppliers to get you the best price he can offer. Keep up the good work guys it's a pleasure doing business with you.
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First experience with Bavas music but will not be the last. Great product Excellent Service Best Price. What more should any one ask for. Nick cant Thank you enough for your great effort and patience, will come back again any time.HIGHLY RECOMMEND. By the way this Amp is Amazing no comparison with any similar product of its kind. Falling in love with it... EXCELLENT ALL THE WAY. CHEERS
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Did a lot of digging for some reasonably sized and priced sound gear to drive off a Generator on a float in the St Patrick's day 2010 parade! Nick sorted it big time and prevented a purchase that would result in a ground loop issue due to the an accordion with a 9V battery based mic arrangement. He also has a solution to fix that in future and option for carrier case for the powerful compact equipment I did part cash for. Keep me up to date on the Roland boxes as well Nick. Resounding YES to anyone out there surfing options and wondering where you can meet real folks who know how to help the lay person on sound
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