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YAMAHA MG10/2

Product Name: YAMAHA MG10/2

Product Model: MG10/2

RRP: $229.00

Sale Price: $167.17

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Description
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Description

MG10/2 or MG8/2FX

Yamaha mixers at their best .Pure in sound and simple in operation .

Just the Basics … With Class

If you simply need to mix a few sources to stereo – but insist on the finest audio quality available – the MG10/2 or MG8/2FX is probably the way to go. They're compact and convenient to use, but won't compromise your signal in any way. With an optional adaptor the MG10/2 can even be mounted on a microphone stand for totally flexible positioning and easy access. And the MG8/2FX's built-in effects can take your music to a new dimension. For demo and music production, small sound reinforcement applications, or simply as a super utility mixer for any application, you can't lose with these compact performers.

Features Found Only on the MG8/2FX

Top-quality Digital Multi Effects Built In It may be small, but the MG8/2FX is packed with a surprising amount of signal-processing power. Renowned Yamaha multi-effect technology brings you a range of reverb, delay, chorus, flanger, phaser, distortion, and other effects built in – total of 16 types in all (Same as MG12/4FX). Each effect program has a number of editable parameters as well as effect on/off switching and return level control. Additional convenience is provided by a footswitch jack to which you can connect an optional footswitch for effect on/off switching.

INPUT SECTION

8 or 10 Input Channels

The MG10/2 features a total of 10 input channels: two mono microphone/line inputs and four stereo line inputs, two of which offer mono microphone input capability. The MG8/2FX has two mono microphone/line inputs and three stereo line inputs, two with mono microphone input capability. Gain trim covers a wide -60dB ~; -16dB range for microphone input, and -34dB ~; +10dB for line input. A Variety of Input Connectors Balanced XLR connectors are provided on both mono inputs and two of the stereo inputs (a total of four XLR connectors), in addition to phone jack connectors. Two of the stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo input on the MG8/2FX, and the remaining two stereo inputs on the MG10/2, feature both phone jack and pin jack inputs for broad connectivity. A separate stereo 2TR input with pin-jack connectors is provided for independent input of signals from CD players or similar sources.

A Variety of Input Connectors

Balanced XLR connectors are provided on both mono inputs and two of the stereo inputs (a total of four XLR connectors), in addition to phone jack connectors. Two of the stereo channels can accept mono microphone input either via the XLR or phone jack connectors. The remaining stereo input on the MG8/2FX, and the remaining two stereo inputs on the MG10/2, feature both phone jack and pin jack inputs for broad connectivity. A separate stereo 2TR input with pin-jack connectors is provided for independent input of signals from CD players or similar sources.

Four Low-noise, High-precision Mic Preamps

The microphone preamps provided on the two mono channels and two of the four stereo channels would be worth the price of the entire mixer if packaged separately. These are highperformance head amplifiers that will bring out the best in any dynamic or condenser microphone.

Phantom Power

So you can take advantage of the superior sonic quality of professional-class studio condenser microphones, all four high-performance mic preamps feature switchable phantom power. A single switch turns phantom power on or off for all four channels.

Insert I/O

Mono input channels feature insert I/O patch points so you can add compressors or EQ for vocals, a noise gate on a guitar channel, or other extra signal processing to individual channels as required.

3-band Channel EQ & HPF

Designed for smooth, "musical" response, the 3-band equalizers provided on all input channels are one more sonic tool you can use to create clean, professional mixes. All mono microphone input channels also feature a switchable high-pass filter that can be used to cut out unwanted low-frequency noise.

MASTER SECTION

One or Two Aux Sends & Stereo Aux Return

These mixers are also fully equipped to handle external effects and monitor systems. Use the post-fader auxiliary send on the MG8/2FX or the two sends on the MG10/2 in conjunction with the stereo auxiliary returns to add reverb, delay, or other external effects to the mix, and the pre-fader sends to feed a separate mix to your monitor system.

Stereo, Control Room, Rec, and Headphone Outputs

In addition to the main L and R phone-jack stereo outputs, these versatile mixers also offer phone-jack control room, pin-jack recording, and stereo phonejack headphone outputs. You have plenty of outputs for a wide range of applications – monitoring, master recorder feed, etc.

12-segment Meters for Accurate Visual Monitoring

Output level monitoring is made accurate and easy with high-visibility 12-segment level meters.

EASE OF USE

Compact, Portable Design

Weighing in at a mere 1.8 kg (MG8/2FX), this mixer can easily be carried just about anywhere. You get top quality mixing performance in the rehearsal studio, club, outdoors … wherever you need it.

Optional Mic Stand Mount

What could be more convenient than having your mixer mounted on a microphone stand for freedom of placement and easy access? With the optional BMS-10A Mic Stand Adaptor you can do just that, and have your sonic control center within easy reach all the time. This can be particularly handy when using the mixer as a drum sub-mixer or as a cue box in a recording situation.

Easy Operation and High Reliability

All switches and controls used in these mixers have been chosen for smooth, reliable operation as well as easy visual confirmation

Specifications

		MG10/2	MG12/4	MG16/4	MG16/6FX
Total Harmonic Distortion		Less than 0.1 % (THD+N) 20 Hz 20 kHz @ +14 dB 600 Ω (ST OUT)
Frequency Response		0 +1, -3 dB 20 Hz 20 kHz @ +4 dB 600 Ω (ST OUT)
*Input Hum & Noise^1**		-128 dB 20 Hz 20 kHz, Rs=150 Ω, Input Gain=Maximum, Input sensitivity=-60 dB
Crosstalk		-70 dB @ 1 kHz
CH Input	Mic	4 (Ch 1 2, 3/4, 5/6: XLR)	6 (Ch 1 4, 5/6, 7/8: XLR)	10 (Ch 1 8, 9/10, 11, 12: XLR)	10 (Ch 1 8, 9/10, 11, 12: XLR)
	Line	2 (Ch 1 2: TRS)	4 (Ch 1 4: TRS)	8 (Ch 1 8: TRS)	8 (Ch 1 8: TRS)
	Stereo	2 (Ch 3 4, 5 6: TRS) * Ch3, 5: L (MONO) 2 (Ch 7 8, 9 10: TRS/RCA)	2 (Ch 5 6, 7 8: TRS) * Ch5, 7: L (MONO) 2 (Ch 9 10, 11 12: TRS/RCA)	2 (Ch 9 10, 11 12: TRS) * Ch9, 11: L (MONO) 2 (Ch 9 10, 11 12: TRS/RCA)	2 (Ch 9 10, 11 12: TRS) * Ch9, 11: L (MONO) 2 (Ch 9 10, 11 12: TRS/RCA)
	Insert I/O	2 (Ch 1 2: TRS = T: Out, R: In, S: Gnd)	4 (Ch 1 4: TRS = T: Out, R: In, S: Gnd)	8 (Ch 1 8: TRS = T: Out, R: In, S: Gnd)	8 (Ch 1 8: TRS = T: Out, R: In, S: Gnd)
AUX	Send	2 (1/Pre, 2/Post: TRS)	2 (1/Post-Pre selectable, 2/Post: TRS)	2 (1/Post-Pre selectable, 2/Post: TRS)	2 (1/Pre, 2/Post-Pre selectable: TRS)
AUX	Return	1 Stereo (L/MONO, R: TRS)	1 Stereo (L/MONO, R: TRS)	1 Stereo (L/MONO, R: TRS)	1 Stereo (L/MONO, R: TRS)
EFFECT	Send				1 (TRS)
2TR	In	1 Stereo (L, R: RCA)	1 Stereo (L, R: RCA)	1 Stereo (L, R: RCA)	1 Stereo (L, R: RCA)
REC	Out	1 Stereo (L, R: RCA)	1 Stereo (L, R: RCA)	1 Stereo (L, R: RCA)	1 Stereo (L, R: RCA)
ST	Out	1 Stereo (L, R: TRS)	2 Stereo (L, R: 2 TRS & 2 XLR)	2 Stereo (L, R: 2 TRS & 2 XLR)	2 Stereo (L, R: 2 TRS & 2 XLR)
C/R	Out	1 Stereo (L, R: TRS)	1 Stereo (L, R: TRS)	1 Stereo (L, R: TRS)	1 Stereo (L, R: TRS)
GROUP	Out		2 (1, 2: TRS)	2 (1, 2: TRS)	4 (1 4: TRS)
Phones		1 (TRS Stereo)	1 (TRS Stereo)	1 (TRS Stereo)	1 (TRS Stereo)
Phantom Power		+ 48 V	+ 48 V	+ 48 V	+ 48 V
CH & ST Ch Input Gain Control		44 dB valiable	44 dB valiable	44 dB valiable	44 dB valiable
CH & ST High Pass Filter		80 Hz 12 dB/Octave	80 Hz 12 dB/Octave	80 Hz 12 dB/Octave	80 Hz 12 dB/Octave
CH EQ (MONO)^*2 15 dB (Max.)	High	10 kHz (Shelving)	10 kHz (Shelving)	10 kHz (Shelving)	10 kHz (Shelving)
	Mid	2.5 kHz (Peaking)	2.5 kHz (Peaking)	2.5 kHz (Peaking)	0.25 5 kHz (Peaking)
	Low	100 Hz (Shelving)	100 Hz (Shelving)	100 Hz (Shelving)	100 Hz (Shelving)
CH EQ (STEREO)^*2 15 dB (Max.)	High	10 kHz (Shelving)	10 kHz (Shelving)	10 kHz (Shelving)	10 kHz (Shelving)
	Hi-Mid				3 kHz (Peaking)
	Mid	2.5 kHz (Peaking)	2.5 kHz (Peaking)	2.5 kHz (Peaking)
	Low-Mid				800 Hz (Peaking)
	Low	100 Hz (Shelving)	100 Hz (Shelving)	100 Hz (Shelving)	100 Hz (Shelving)
Graphic Equalizer					7-band (125, 250, 500, 1 k, 2 k, 4 k, 8 kHz) 12 dB (Max.)
Internal Digital Effect					16 Programs: Parameter Control
Dimensions	Width	10.19"	12.50"	16.65"	16.65"
	Depth	11.33"	16.40"	16.40"	16.40"
	Height	2.51"	4.09"	4.09"	4.09"
Weight		4.18 lbs.	11.02 lbs.	11.46 lbs.	12.12 lbs.
Power Requirements		U: 19 W 120 V/60 Hz	U/C: 27 W 120 V/60 Hz	U/C: 38 W 120 V/60 Hz	U: 51 W 120 V/60 Hz
Other		Mic Stand Mountable	Rack Mountable	Rack Mountable	Rack Mountable
1 Hum & Noise are measured with a 6 dB/octave filter @ 12.7 kHz;equivalent to a 20 kHz filter with infinite dB/octave attenuation. 2 Turn over /roll-off frequency of shelving : 3 dB below maximum variable level.

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