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YAMAHA CSP-295GPWH Clavinova Digital Grand Piano Polished White Finish

A grand piano-like design has been used to decorate the opulent, sophisticated CSP-200 series. The CSP-200 series includes GrandTouchTM pedals, which replicate the distinctive resistance of a grand piano's pedals, making them heavy when depressed and light when released, in addition to the features of the CSP-295, like the Streamlights that make learning enjoyable.

PRODUCT FEATURES 

• Stream Lights
• Yamaha CFX and Bösendorfer Imperial piano samples, Yamaha CFX and Bösendorfer binaural sampling
• 919 Voices, 403 Songs and 525 Styles
• Audio to Score
• Virtual Resonance Modeling (VRM)
• Grand Expression Modeling
• GrandTouch™ keyboard with counterweights, 88-key Linear Graded Hammers
• GrandTouch™ Pedals with GP Response Damper
• (50 W + 50 W + 40 W) x 2 amplifiers
• Grand Acoustic Imaging
• (16 cm + 8 cm + 2.5 cm (dome) with Waveguide)× 2 + 20 cm, Spruce Cone Speaker, Twisted Flare Port
• Microphone connection
• Multi-track MIDI recording (SMF format 0)
• USB Audio Recorder (Playback/Recording: WAV, AAC)
• Built-in Bluetooth® audio
• Wireless connection to the Smart Pianist app via Bluetooth® MIDI

GRAND PIANO-STYLE ACOUSTIC SYSTEM WITH A FEELING OF DEPTH

A woofer on the instrument's underside and speakers at the top of the soundboard create an acoustic experience that has a sense of depth akin to that of a grand piano.

SPEAKER SPRUCE CONE
Utilising pulp from the same spruce wood used to manufacture acoustic piano sound boards, the CSP-295 speaker cones draw on our expertise in creating both high-end speakers and acoustic pianos. As a result, the sound is attacked more naturally and has a piano-like quality when the keys are played.

The CSP-295 delivers this pleasant feeling through Grand Acoustic Imaging. The latest acoustic design and measuring technology create the same sound image and sound field of a grand piano despite the compact size of the digital piano. We optimally balanced and placed the bass, mid, and treble speakers to achieve the sound radiation and centroid characteristic of grand pianos so that each and every tone played through the speakers sounds like it was emitted from the proper place on an actual grand piano.

The speaker placement and balancing replicates the sensation of the hammers striking the strings in front of the pianist, and the reverberations from the strings dissipating away from them. We also used a Bidirectional Horn to achieve the full reverberation of sounds emitted by the entire grand piano soundboard, replicating the sense of depth experienced when playing an acoustic grand piano.